Does this sound familiar?
“The photographer I recently did a test shoot with is now requesting payment for 11X14 prints. Furthermore, she states that she never gives 11X14 files or print releases for test shoots. She now states that she will only provide web size images––a complete flip from our conversation the day of the shoot. This is on me because although this was an impromptu situation, I should have sent written correspondence to her prior to shooting. Lesson: never let the excitement of the moment and the opportunity overshadow the business.”
––Freelance hair stylist, Philadelphia, PA
If you’re a glam squad artist who is...
A good way to think about an assisting strategy is to start by coming up with a way to narrow your search. I have always been a fan of creating a list of 10, and then working that list before adding more to it.
You will undoubtedly have the names of a few artists that you would love to assist. Start with them. Next, I suggest selecting a genre (category) that you are interested in working in. For instance; fashion, lifestyle, beauty, film or TV––and identifying the remaining artists in that category.
You’re may be thinking “anything and anyone?” But truly, it’s important to be specific so that you can zero in on your target.
It’s okay to accept jobs from artists who are outside of your genre goal––Think Shonda Rhimes The Year of Yes––however when it comes to planning and putting together your own list––be specific or the list will never end.
If you want to gain some assisting experience, following are a...
Foreword by Bobbi Brown
June 2018, Seattle, WA—Celebrity styling agent turned freelance business coach Crystal Wright announces the launch of the revised and fully updated seventh edition of her popular industry bible, The Hair Makeup & Fashion Styling Career Guide. Filled with meaningful career enhancing advice, step-by-step instructions, rare insights, and insider secrets, the ‘Guide’ helps aspiring makeup, hair and fashion stylists turn their talent and passion into a successful and profitable freelance business.
“When I first came across her book, I was happy that someone had finally put all the information an aspiring artist needs, in one place. Crystal tells it like it is. She gives the essential information and breaks it down into step-by-step instructions.”
Someone once said, No DREAM comes true until’ you wake up and go to work! Our dreams keep us going. They keep us alive and working toward a goal of our choosing. But they also come with a price that begs the question; How bad do you want it?
When makeup and hair artists share their passion for becoming a full time freelance beauty professional, I ask them two questions:
Being a freelance makeup and hair artist has glamorous moments but like anything else, it requires work. Most new makeup artists and hair stylists spend about two years just testing––working with no pay––to get images to add to their portfolio. This process is called TFP (Testing for Prints/Time for Prints).
The money will come, but not immediately. Knowing that ahead of time will help you to keep your progress in perspective. Think of your...
Celebrity clients are rarely easy. There are many reasons for that. Celebrities have many handlers, so an artist is never quite sure what is really going on when the handler of the celebrity says, “We just don’t have the money,” or “Well, can’t you help us out this time, it’s coming out of his/her pocket”. The thing is, they––the poor celebrity, usually has really deep pockets.
While it’s rare that anyone is going to use those excuses with a superstar makeup artist like Billy B or Pat McGrath or a high fashion hair guru like Frederick Fekkai or Neeko, you on the other hand, with the one or two up-and-coming celebrities on your resume could run head-long into that sob story more often that you like.
PYP Grad Saleemah Staten had an incident that produced an insight that may help you to become a better negotiator. The celebrities name has been removed to protect the innocent.
Hi fellow artists, I just want to share a few...
Is it possible to work with the wrong photographers and models? Yes. Makeup, hair and fashion stylists do it every day.
On the surface it seems like you should just be able to pick a photographer, gather a couple of your salon or beauty bar clients together as your models and go for it––Not so.
If you want to work for high end advertisers and magazines like Nordstrom, Maybelline, Pantene, Nike, Allure, Essence, and Glamour, you will have to prepare like a pro, and part of that preparation is choosing good photographers with which to build your portfolio, and great models who can work the camera.
Here are a few tips that you can use to improve the choices that you are making when working on your book.
#1 Make good choices about who to work with.
You make good choices about which photographer to work with by training your eye to recognize good photography. How do you do that? Here’s a secret. There is no bad photography in...
How many times in a week do you find yourself doubting your ability to tackle a challenging make-up assignment, negotiate the best fee and expenses for you and your crew, meet the right people, make your rent, pay your car note or perform well in a new circumstance? It’s during these times when we need someone to walk up, and instruct us to, Insert FAITH Here. Within’ ten to twenty seconds your back would straighten, your shoulders would perk up, a smile would pop onto your face, and joila!––The faith to move mountains.
The Bible describes faith as the substance of things hoped for, the evidence of things unseen. The manifestation of what you want without so much as a shred of evidence that what you are asking for or believing in is going to happen.
My pastor Bishop Ulmer always says––and I often have to remember––to, “Stop telling God how big my problems are, and start telling my problems how big my God is. That’s what...
Getting paid in excess of $500 a day to apply makeup, style hair, shop for clothes and paint nails on the set of a film, TV show, magazine shoot or print ad is considered pretty glamorous. Yet, some freelance artists get confused about their job description, and are challenged with setting boundaries when it comes to working with VIP’s.
Boundaries define the limits and responsibilities of the people with whom we interact. Without these guidelines for behavior––on both sides of the fence (client/artist), over time––artists can experience disrespectful behavior, bullying and threats. All of which can lead to depression, low morale and a loss of confidence. So how can we get out in front of this catastrophe?
Establishing and maintaining a proper business relationship with VIP clients is crucial to a long-term respectful working relationship. Working with celebrities, politicians and corporate executives can be a blast as long as you preserve your...
Getting the best deal for yourself in the workplace whether you’re a corporate star or a celebrity make-up, hair or fashion stylist is going to depend on your ability to sell (persuade) the benefits (gains) you’ve been responsible for creating.
This is especially true for women and minorities who often don’t grow up with a mom or dad who is the head of Ford Motor Company and didn’t have the benefit of listening to global deals being negotiated during an evening meal. But don’t let that stop you from creating financial stability for yourself and your family. Now is the time to take control.
From babysitting, to your first gig at a fast food restaurant, to stepping into the Director or VP position at a beauty conglomerate, negotiating a better salary, or a bump in your day rate can make the best of us procrastinate and decide to clean out a closet or two. It is nonetheless something you’re going to have to get...
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